Well, that hasn't happened yet, but I still soldier on, coming back to the series for some pain-binging every once in a while.
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A lot of the fandom for the show, when it doesn't orbit the Moonlighting Syndrome of Booth and Brennan, revolves around Hodgins and his courtship with the emotive and sensual Angela (Michaela Conlin). At this point in the series the two have gone on a date that was "too good" and Angela has rejected him. It's obvious, though, that he can never go back to just friends.
While I'm not a fan of the instant "you're alive!" kiss at the end of the episode, which feels like a cheat to throw the two together via near-death experience (Hello? Speed, anyone?), I do really like the cathartic moments that Hodgins has while buried alive with Temperance.
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Yes, it's a far too easy and convenient way to wrap up the tension between Angela and Hodgins, but I'll take any small victories that I can get from this series at this point.
So, nothing left to do but keep putting one metaphorical foot in front of the other, step by step, episode by episode, until I reach my cut off point. Well, that and hope that Pushing Daisies joins Netflix sometime in the near future. I'd much rather that quirky procedural to this one.
Until tomorrow, Potatoes~
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