Day Three Hundred and Forty - Farscape: Season 2, Episode 16, "Time Flies When You're Trapped in a Halo of It."

For all of you regular Whovian watchers out there, if you haven't seen Farscape, I'm pretty confident to say that it was much superior despite having similar aesthetics and budget. Maybe that's sacrilege, but I'm going to stand by it, and use this episode as an example... because it's one of the "time travel" ones.

The episode starts us off in mid-crisis as Aeryn Sun has been off-ship scouting a mysterious mass of interstellar mist and is late for her rendezvous with Moya. When she does return, she seems to have aged hundreds of cycles (years) and is an old woman. It seems as though the mist is a "Halo" of time in which Moya has become trapped and while only a small amount of time has passed for them, years and years are passing for the planet they observe through a disappearing vortex.

This is one of those great thought problem episodes that I believe Farscape is spectacular for. What are the implications of a thought experiment gone awry, as in "what happens to John and Aeryn when they get stuck in Time's passing lane for 55 years (200+ for Aeryn). It's one of those soft scifi conundrums that are only glanced upon in other shows (Doctor Who) or are merely used as a device (TNG, Deep Space Nine).

While it's not exactly the stuff of philosophical legend or anything, the premise is delivered with a good deal more tact and style than in other places, I think. But that's mainly just opinion. I can see where arguments would be leveled against me thanks to the very Deus Ex way the crew solves their "out of time" predicament, but I find that it's easier to forgive Farscape their shortcuts than the ones we find in other shows like Doctor Who.

I also really like the device of the eponymous locket, which holds the image of Aeryn's one true love of her life, which has disintegrated when the now memory stricken John and Aeryn look inside of it at the end of the episode. A metaphor for roads not taken or just the promise of things yet to come (fans of the series know which)... either way, great stuff. 

There is one thing I find a bit of a disservice, though. At the end of the episode, only Zhaan and Stark remember the events from inside the mist, to explain how they would choose not to enter the Halo to begin with. With those memories, they speculate that the offspring that Aeryn have quite possibly avoided paradox thanks to the infinite universes theory.

Let me say that such an aside really annoys me... especially since Deep Space Nine had done a similar episode several years earlier (Children of Time) that took the brave path and made the consequences for rewriting history very harsh indeed (the complete erasure of the Defiant Crew's descendants from the continuum). I definitely would've gone the brave route, not because it's been done before, but because it would add to the emotional burdens of Zhaan and Stark to know that the crew of Moya, in order to save themselves, doomed probably dozens of innocents to nonexistence. This would be especially poignant from Stark's perspective, considering his "dispersal" the very next episode.

I have to admit, though, that THIS is what I wanted Doctor Who to be in terms of soft scifi adventure. A pity that it rarely comes close.

Until tomorrow, Potatoes~

Day Three Hundred and Thirty-six - Farscape: Season 1, Episode 15, "Ghosts of the Past and Future Allies."

I don't think I can decide on what it was that first drew me to Farscape.

Sure, there's the obvious fact that its early marketing heavily banked on their Jim Henson Creature Shop connection as all (or, at least, the majority) of the aliens were designed by the famous puppet studio, but it also came into being during the latter end of my adolescence and beginnings of my adult life, when I was strive to find my own way in this world and its narrative of independence, discovery, survival, and friendship rather appealed to me.

Plus, it was set in space.

LEXX has come out just a few years previous and they both had strikingly similar aesthetics and roughness when it came to sets and effects, rather like Doctor Who in that regard, but where LEXX went the soft-core porn route with most of its stories, Farscape, while not without sexual drive to its characters (particularly Zhaan and Chiana), was more grounded in its space opera adventure roots. Throwing human John Crichton (Ben Browder) to the far corners of the universe to mix with several unrecognizable species and quite a few that are decidedly human-like, Farscape takes the pulp scifi adventure serials of yesteryear and has quite a bit of fun with them.

In this episode, a terror from crew regular Rigel's past returns to torment him while an "antisocial" prisoner is held captive by a representative of her brainwashing society. As the episode progresses, Rigel attempts to kill his old foe which leads to a series of events that revives their rivalry, finds the mindcop murdered, and allows the thought criminal to ally with Crichton and become a member of the crew.

Not that I'll ever complain about Chiana as her sensual trickster goddess was a welcome addition to the repressed crew (John and Aeryn denying their feelings, D'Argo still in mourning over his lost love, Rigel a fop, and Zhaan... well... untouchable despite her allure), but I have to wonder at the reasoning of the crew. Was it a transparent attempt to add some sex appeal to the show to attract lonely nerds like me in the late ninties, or was there something deeper involved, an aspect of interpersonal chemistry missing that the producers thought would be fulfilled by adding her character?

Pandering or not, I admit that I liked Chiana. Sex appeal aside, the crew was a bit male heavy and the addition of another female archetype helped balance the weird dichotomy that Zhaan and Aeryn had going, one the peace-loving priestess and the other a violent warrior woman.

Now that I think about it... her addition really does feel like rounding out an RPG party. Zhaan is the priest, Aeryn is the Ranger, D'argo is the Warrior, Rigel the Bard, Crichton the Techno-mage, and Chiana the Thief. Yeah, that definitely makes me much more comfortable.

Getting back to the episode, I like how its mostly about Rigel and his old foe and not so much about introducing Chiana. So often, opener episodes for new characters almost exclusively revolve around them and their troubles... how the crew of the Enterprise or the Galactica or Voyager come upon this individual in conflict and offer them and their people the chance of a lifetime. While its true, by the end of the epi, the same happens here, for the most part, it's Rigel's old jailer systematically dividing and conquering on Moya. Sure, it's a little deus ex that Crichton just happens to be able to repair Rigel's failed explosive to save the day, but my point is Chiana is a bit of an afterthought and that's a good thing.

Overall, this was a fun episode that is only disappointing when it comes to how easily the villain is foiled. I think I would've much preferred to have him regain his old self secretly and slowly torment Rigel and the others over the course of several episodes without revealing himself, making you wonder just who the real bad guy is, him or Chiana. But, that was not for me to decide. As it stands, I'm pretty happy with both the epi and the addition of Chiana to the cast.

Until tomorrow, Potatoes~

Day Fifty-eight - Justice League: Doom, or "Ze Voices... Zey do nutzing!"

I wanted to like JL:DOOM... I really did.

It had pretty much exactly what I wanted from DC in terms of casting... Tim Daly, Kevin Conroy, Susan Eisenburg, Michael Rosenbaum and Carl Lumbly all reprise their JL era roles and that's great! What's even better? Nathan-freaking-Fillion comes on as Hal Jordan continuing his tenure from Emerald Knights! Add to that Claudia Black, whose sultry voice never fails to send chills up my spine, and I'm sold.

Then the movie actually starts.

Now, don't get me wrong, it's not terribad. As far as recent entries go into the DC Animated Universe, it's actually decently high on the list considering the misses that were Superman vs. The Elite and Batman/Superman: Apocalypse, but it definitely wasn't as good as New Frontier which really, really grooved on the retro vibe even if it didn't have the regular cast.

There's just something about the art direction that seriously bugs the heck out of me. It's so far removed from my expectations concerning Bruce Timm's era of Bruce, Clark, and the rest that hearing Kevin and Tim, et al's, voices coming out of these alien faces ruins my suspension of disbelief right quick.

Then there's the story. Loosely based on the Tower of Babel storyline, it tells the tale of Vandal Savage's attempts (instead of Ra's al Ghul's in the orignal) to rule the world by having the Justice League be taken out using Batman's own plans against them.

Let me say that I would've much preferred to see the War Games storyline with the same thing happening in Gotham without the JLA than I would Tower of Babel. Especially since several of the plans are utterly ridiculous.

I mean, dosing Wonder Woman with nanites to make her attack everything on sight? Especially since it's obvious what is happening from the get go as she can HEAR what the fake-Cheetah's are saying and it's not threatening at all. Why on earth would she attack? Diana is no fool. And trying to sap GL's will by putting him in a no-win scenario? On the off chance a sorta-lookalike for his lost love, Carol Ferris (who has become the villain, Star Sapphire), dying would drive him insane? I might have bought it if they had laid ANY groundwork earlier for the Scarecrow fear toxin working its mojo on him, but that little tidbit shows up only AFTER Bats reappears to save the day. Total Deus Ex and annoying as all get out.

I do like Cyborg's inclusion, but it feels out of place considering the casting choice implies we're operating in the DCAU where there should be plenty of heroes in the continuity. Their absence makes things all weird for me, especially in the conclusion where it feels like, due to this one adventure, Cyborg is added to the Core Seven... er, excuse me, SIX (since Aquaman is conspicuously absent) while Batman is being kicked out. I preferred the JLU way of Bats bowing out to become a part-timer as opposed to this.

I want to give this feature more credit, due to the fact that it was written by the late Dwayne McDuffie, who died shortly after finishing the script... but the art style and, unfortunately, sloppy writing bug me to no end.

It doesn't meet the standards set by the Justice League series that I've come to expect save for casting... and that makes me a bit sad.

Until tomorrow, Potatoes~